liverpool biennial PT 2

Things that i responded to.

Tate.

Sculpture room experience! Walking in with headphones blashing disco tunes, surrounded by so many amazing sculptures of people. It becomes like this strange night club, each sculpture becoming a person at the dsico. This also invited you to dance on a flashing disco floor. I really enjoyed this exhibition it made me smile but also made me nervous wander around the disco wonderland everything was so still and static, cold eye sometime catching your attention but it was all alive at the same time buzzing and energetic! I really did enjoy the german tourist getting there grove on when i entered.

Walker Art Gallery.

The bin. well wolfman tilman had work there, interesting curatorial ideas mixing in his work with the old. but the pictures were just piss poor. but the bin was fun. 

Blue Coat

AMAZING! This was fun, such a great experience i have to say. Scared the poo out of me when i 1st when in, but after awhile moved through this maze of ribbons on paths or just straight through the middle i hadn't laughs so much! Now i cant find the paper with the artist name on right now so i will update later.

Noteable other exhibtions were at FACT and A founation. But i have no images! 

Anyway i really enjoyed Liverpool Biennial!

liverpool biennial PT 1

creative block. creative block. creative block. bad things happen in threes.

liverpool biennial. yes! didn't help my creative block but was a really great platform for conversation about contemporary art and where it is today. tate modern got the big thumbs up from me i have to say! Dotted around the exhibition were films on what is art, looking at figures in the art movement like 'fountain' marcel duchamp;

Main points raised were 'is it art?' Ideas were a mix. The idea that anything can be art trigged a great conversation in the art world so is this work important? Or is it now old and tired and we as artist or audience are sick of highly conceptual art that has no presence or beauty? The 'anything is art' all meaning no aesthetic qualities, no different from the everything day the lack of craftsmanship and skill??

These question i feel are very important for the current movement of the now art history. The highly intelligent art that push away a lot of people from viewing, enjoying and embracing art.  I remember seeing a talk last year where an artist put a diamond in a ash tray he questioned the viewer 'do you get it?' with a smirk i found offence as if we as the viewer were stupid as we didn't understand what he was trying to say with his work. He then continued to explain a very long winded some what tenuous link to very difficult academic books.

The question i have been wondering is, is it the fault of the artist if we don't get what he/she means from just the viewing of the art, if the work doesn't engage us in conversation, narrative or a sense of emotional responses....or is it the audience?

Well, after a long week including tea spilt on my mac everything back!

65 images created, now what to do with them. umm. 

Also im looking for exhibition opportunities, know any leeds based artist or makers that fancy planning something fun art wise and exhibition wise point them my way! 

Ta.

bing!

new work....more to come.

fancy buying a print? limited edition of 10, hand signed......make me an offer!?

I made brains, not art. just brains. might add some art to the end...

well that was odd, it wouldn't let me put up the image as it claimed it  i was indeed not the owner of...wait...my own art work!

New Project, and studio.

So, i have no followers. Is this then talking to myself? I think that is allowed....treat of being an artist.

So, this is my studio.....


Lots of work will be happening... like...this...

Umm what do you think?

ALSO...

HELP...struggling artist! With Galleries charging 40-50 % of your sale price  and the cost of making, entering, posting work i pretty much loose out on every exhibition! Im really enjoying my new project but i'm running out of money to make it! So what im doing is selling prints (20by30") hand signed and limited edition.

 If 5 people buy a print i can do them at £35 each (i normally sell my prints between £145-195) e-mail me if your interested mio@sarahfrancisart.co.uk. The price only covers printing and a small fraction of profit to go to make more images. Prints are normally £35 at the printers, but if 5 people buy i can get the cost down and make some material money!